The days are short. The weather is colder than might be preferred. Hell! The month only has 28 days 75% of the time. Melancholy abounds even as the cedar pollen counts drop toward zero.
Tom Morin passed away – quite unexpectedly – in February 2007. Now Tami Friedman, another long-time member of The Robot Group, Inc. has followed suit.
From Eric Lundquist comes this missive :
I am sad to report that Tami Friedman KD5RJU passed away the morning of Feb 8.
She passed away peacefully in a nursing home after extended illness.
Right now, there are no arrangements planned, per her daughter Rachel who is taking care of her affairs.
If I get an address for the family to send a card to, I will pass it along, but since she has no family in Texas, there won’t be any services here.
Hats off to the new leadership for their service in 2020! Thanks to the previous leadership for keeping the thing rolling with wheels on the road in 2019!
Can I get a quick show of hands from any members interested in doing a quadcopter build if I do a class?
Brooks Coleman Lil’ Deuce
The Lil’ Deuce frame I got from Dalton is really turning out to be a lot of fun and you can build one out for under $100. You can get a cheap, compatible 6-channel radio for about about $50 and same for the goggles so total cost would be $200 if you need everything.
You can get extra receivers for the radios for around $10 to $20 that can also work for controlling robots. Also, extra cameras with transmitters around $20 for the video if you want to telepresence (the kids call it FPV for First Person View) your bot.
These things are a blast to fly around indoors and you can set the video transmitters to the minimum 25mw so you don’t need the HAM license required for the higher power levels. Eventually I’d like to offer HAM test training classes too. So … anyone?
Here’s a couple of videos I did with the Lil’ Deuce, and don’t worry, it’s on horizon mode so no dizzying dives or loops. Also check out my latest addition to the effort of blending moving features to the indoor course.
[Posted on behalf of Yama Ploskonka by rutrohverlord]
This device, designed and built by Robot Group member, Yama Ploskonka, appeared in a cruder form at Maker Faire Austin on May 04, 2019.
The Yamautomaton, a computer-controlled machine originally designed for research in kinesthetics of calligraphy, actually delivers a pretty good hand! Here making a copy of the Canticle of the Creatures, a praise prayer by St.Francis, imitating the hand (font or typeface to y’all) of the oldest manuscript in Italian, c. AD 1270. The machine was built in Austin, Texas, from parts of a homespun CNC originally from 2018. Completing these two sheets of fine calligraphy would take a practiced professional a good couple days. That’s too much work. To save effort, I only spent 6 months building the machine, developing the software, even figuring the right ink-gum-pigments mix. Saving work and time, that’s my motto!
Yama reports that, after just a few months of additional work, the device has now reached ‘production’ reliability.
“I just drop a file with tagged text, and the machine does the rest (of course I have to mother the pen’s ink supply, and set the paper, but that would be the same if doing calligraphy by hand).”
He continues, “I seem to find very few ‘practical’ writing automata out there, seems the concept is a bit abandoned. Yes, of course, essentially it’s just a CNC, conceptually not that much beyond an EggBot, and, yes, it would take just a few rods to transfer the movement to a more humanoid arm and hand. It might be that the actual challenge is then really in the software.”
“The text file goes in as text, including dimensions for the paper, column locations, then coordinates for each stroke in each character come as a CSV spreadsheet. Both get slurped by some Python code (150 lines), that spits out Gcode (for red, gold, black), and on to the CNC.”
Future developments include another attempt at Chinese writing.
“It proved too complicated, so I did a ‘step back to better jump’ by going first to Blackletter (Fraktur, like Gutenberg font), then to this medieval hand. That did help me figure out and pass several limitations that my software and conceptualization had, so I feel more ready now for what is probably still the most complex writing system in use, Chinese. As a fringe benefit, the code is more able to be ‘universal’ … potentially being able to deliver any hand that has been compiled.”
The Yamautomaton (likely a tentative name) is able to travel. If y’all have a venue, please speak up.
The DaVinci Awards are a way of giving recognition to the folks that help make the TRG such a success.
With Paul Atkinson doing the electronics & PCB work, Ed Gonzalez doing the layout and laser work, Rick Abbott doing the metal work, and Vern Graner doing the final assembly and project management, they delivered some pretty nice looking awards!
The awards have a built-in battery base with a microprocessor-controlled color-changing RGB LED. There are several modes of operation from static, blinking, and color shifting. The finished product was incredible … but what was even more amazing is the fact that they were kept entirely a secret until the day of the end-of-the-year banquet.
A small independent film company, The Management Productions, asked the Robot Group if we had a robotic head that they could use in their movie.
Babbling Head takes a road trip
The Babbling Head was working and available so we agreed. The film is called Armadillo News and follows the antics of a high school journalism class. Filming was done in the parking lot of St. Paul’s Lutheran church.
Krista Lundquist and her Dad, Eric Lundquist, set up Babbling Head
Armadillo News was shown at the Texas Union Theater on Saturday, May 22, 2004 and made its public debut in October 2004 at the Austin Film Festival.
In the film, Armadillo News, Edmond, the evil genius, is seen with Babbling Head in its role as NewsBotEric Lundquist stands by at filming of Armadillo NewsEric Lundquist plays the unheralded role as hero by making the cart easier to roll across the asphalt (with an ordinary pizza box)Producer-director, Chris Rose, looks on in awe as Eric Lundquist reprograms Babbling Head for its next lines.
[Text and images originally from http://wiki.therobotgroup.org/wiki/ArmadilloNews]
Eric demonstrated several robots for an enthusiastic audience of kids and parents. Babbling Head recited a short story and sand several songs. The Compubotics CR01 robot explored the floors and table tops. The P5 Glove, a virtual reality glove, was a huge hit!
Babbling Head recites a short story at Austin Public Library, July 2004Catherine Lundquist works with P5 Glove at Austin Public Library July 2004. Compubotics CR01 robot is in the foreground.Eric Lundquist aids in putting on the P5 Glove at the Austin Public Library, July 2004Eric Lundquist instructs in the use of the P5 Glove at the Austin Public Library, July 2004Wow! This is cool!!Kids of all ages were enthralled by the P5 Glove at Austin Public Library, July 2004Rule no. 1 : Never let the subject see that you are aiming the camera at them. Austin Public Library, July 2004.
Saturday July 3rd, 2004 with the Butthole Surfers’ INDUSTRIAL BAND THE JACK OFFICERS and Austin, TX-based The Robot Group and a bunch of other acts!!
At 357 Blue Star Arts Complex San Antone, TX.
yee hawww!!!!!
FOR IMMEDIATE
RELEASE!!!
Saturday July 3rd, 2004
CAM Entertainment Presents : The 1st Annual CAM Carnival, The Official Contemporary Art Month Kickoff Party & Fundraiser. With the Jack Officers, (featuring Gibby Haynes of the Butthole Surfers), Kal Spelletich of the SEEMEN Robotics Collective, Louis Katz and his Flaming Pipe Organ, The Robot Group, Boxcar Satan, DJ Deep Feel & Sonic Uke. PLUS Art Cars from around the state and classic one-dollar entry freak booths in a vintage carnival atmosphere. Full cash bar provided by South Presa’s newest hotspot, Tequila Island. Co-hosted by Blue Star Art Space. Produced by Robert Tatum, Director of CAM San Antonio.
Blue Star Silos, 401 Blue Star Street, SAT July 3, 8 PM – 1 AM; $10 Press Contact (General Info) Anjali Gupta 210.533.5762 Or go to http://www.camsanantonio.org
In-Kind Sponsors of the CAM Kickoff Carnival : The San Antonio Current, KRTU, Hill Country Springs, 1906 Gallery, Alamo Beer Company and Krazy Kat Music.
Schedule :
12:00 midnight The Jack Officers (NYC/Austin) Gibby Hayes is best known as the front man of the Butthole Surfers, but has performed under various names for years. Once dubbed the fount of “the most repulsive music in rock and roll history” by the Village Voice, the Butthole Surfers formed in 1981 in San Antonio. From such modest beginnings, the Surfers went on to become one of the most influential post-punk bands in the world. The Jack Officers side-project began in 1991. Like the Surfers, The Jack Officers combine Situationist-style performative elements and seriously strange music, accompanied by the film projections. Hayes now lives and works in New York City. Press Contact : Nathan Calhoun 512-472-5097
11:00 PM Boxcar Satan (San Antonio) Boxcar Satan is a San Antonio-based rock trio that deconstructs American roots music and pours a particularly venomous brand of self-loathing noise from the demon bottle. Depression-era Delta blues, post-industrial field hollers, free improv and a healthy dose of post-punk skronk are fused together like quadruplets joined at the head. Press Contact : Sanford Allen 210.736.5124
10:00 PM Kal Spelletich/The SEEMAN (San Francisco) Since their formation in 1988, the SEEMEN have staged more than 1000 performances throughout the US, Canada and Europe at arts institutions, clubs, warehouses and the occasional freeway underpass. In 1990, Kal Spelletich relocated from Austin to San Francisco, and from 1995-2004 he has performed with a rotating group of collaborators. The SEEMEN were the featured performers at Burning Man in Black Rock, Nevada. Their works have also been exhibited at the Jack Hanley Gallery and Deitch Gallery NYC. Spelletich’s robotic sculptures are included in the collections of the New York Museum of Modern Art and the Getty. Press Contact : Kal Spelletich 415.821.7621
David Nunez takes on Kal Spelletich’s exoskeleton
Kal Spelletich and a volunteer play with fire
More playing with fire
9:00 PM Sonic Uke (Austin) Three singers; one little guitar. Austin based trio Sonic Uke may very well make the ukulele the sexiest instrument in history. Press Contact : Dirty Baby 512.385.4668
8:30 PM on Louis H. Katz (Corpus Christi) Spontaneous performances throughout the night. Louis Katz’s Flaming Pipe Organ is an amalgam of the artist’s ceramics studio practice and live performance – a complex kiln structure with multiple chimneys and a musical instrument. Katz received his BFA from the Kansas City Art Institute and his MFA from Montana State University. He is an Associate Professor of Ceramics at Texas A&M University, Corpus Christi, Texas. Press Contact : Bill Fitz Gibbons 210.723.3048
8 PM DJ Deepfeel (San Antonio) Spontaneous performances throughout the night. Deepfeel, aka Jaime Lopez, comes from the contemporary world of DJ Culture. Taking cues from the old school – Reggae Soundsystem, Northern Soul and early American House – Deepfeel brings back the importance of two things : the music; the vibe. Press Contact : Jaime Lopez 210.737.6350
Head in the Clouds sculpture
Ring of Fire
Silo wall decoration
8 PM The Robot Group (Austin) Spontaneous performances throughout the night. The Robot Group was founded in the Spring of 1989 by a small group of artists and engineers with a shared vision of fusing art and technology. The collaborative has attracted a diverse audience of tech and non-tech alike, and garnered international recognition. The Group’s activities have been covered in Newsweek, Mondo 2000, boing-boing, and FringeWare Review. They have also appeared on Good Morning America, Art Brigade, Kulture Report, and the Discovery Channel. The group will be moving about the crowd with their various creations all evening. Press Contact : David Nuñez 512.796.9545
