RoboFest 7

RoboFest 7 was held September 14th and 15th, 1996 at Dobie Mall, Austin, Texas. Dobie Mall was one of the major sponsors of RoboFest 7 and we are grateful to them for their support.

The festival times were 10:00 a.m. to 6:00 p.m. on Saturday and noon to 5:00 p.m. on Sunday. Admission was $4.00 for adults and $2.00 for children under 12 years of age.

The Robot Film Festival, at Dobie Theatre, featured three films with robotic themes. Admission price for each film was $3.50. For more information and descriptions of the films browse the film festival web page.

RoboFest 7 postcard (front)
RoboFest 7 postcard (front)
RoboFest 7 postcard (back)
RoboFest 7 postcard (back)

An official press release was prepared along with lists of the exhibits, the exhibitors, the guest speakers, and the volunteers (without whom none of this would have been possible)

The following businesses were sponsors of RoboFest 7 :

Additional support and in-kind services were provided by :

The background material for this page is derived from archived pages (1, 2) on the Internet Archive Wayback Machine

RoboFest 7 Exhibitors

Austin Free-Net logo

Austin Free-Net is a non-profit corporation providing public access to the Internet and emerging technologies for all Austin residents, especially those who don’t have computers in their homes. The Free-Net is a community-driven project.

Central and South West System logo

CSW Communications, Inc. was a wholly-owned subsidiary of the Central and South West Corporation. Through programs such as Customer Choice & Control, CSW Communications offered communications-based energy management solutions and other communications services which provided a path for an expanded relationship with customers and allowed customers greater choice and control over their electric usage.

Digital Mystix logo

Digital Mystix, Inc was an advanced developer of Web applications for the Internet and Intranets. Its highly skilled team utilized its technical and multimedia knowledge to offer cutting edge products with efficiency and precision. Digital Mystix offered a wide spectrum of interactive products and services for education and corporate development.

Fringeware logo

FringeWare, founded in 199 by Jon Lebkowsky and Paco Nathan, was one of the early commercial sites on the Internet. It experimented with mixing subcultural analysis and ecommerce, hence the name “fringe” plus “ware”.

Marcos Novak & Crew logo

DANCING WITH THE VIRTUAL DERVISH: WORLDS IN PROGRESS – by Marcos Novak & Friends
“In its present disincarnation, consists of a series of interconnected cyberspace ‘chambers.’ Each chamber is a world unto itself, but each chamber has portals to every other chamber, forming a fully connected lattice. As a work, it is non-hierarchical, non-teleological, and inherently open-ended. A person navigating through these chambers is free to explore a series of landscapes and to discover their apparent or hidden features. It is unlikely that anyone, myself included, will ever exhaust the variety of subtle algorithmic wonders that may be encountered, since they are intimately related not only to the logic of their programs, but to the unforeseeable circumstances and patterns of each person’s passage through the spaces.” -M.N.

Supercircuits logo

Supercircuits provides the world’s smallest video cameras, transmitters and recorders.

Survival Research Laboratories logo

Survival Research Laboratories (SRL) was conceived of and founded by Mark Pauline in November 1978. Since its inception SRL has operated as an organization of creative technicians dedicated to re-directing the techniques, tools, and tenets of industry, science, and the military away from their typical manifestations in practicality, product or warfare. Since 1979, SRL has staged over 45 mechanized presentations in the United States and Europe. Each performance consists of a unique set of ritualized interactions between machines, robots, and special effects devices, employed in developing themes of socio-political satire. Humans are present only as audience or operators.

Tomorrow's Women In Science & Technology logo

Tomorrow’s Women in Science and Technology (TWIST) was an Austin, Texas-based non-profit corporation. Their mission was to promote science and math education and career planning for girls and women. TWIST’s volunteer staff is composed of Austin-area scientists, engineers, librarians, business people, teachers, writers, artists, and parents working together to achieve TWIST’s goals.

Zilker Internet Park logo

Zilker Internet Park specialized in connecting both small and home businesses to the Internet.

The background material for this page is derived from an archived page on the Internet Archive Wayback Machine.

Hexwalker

Hexwalker was built from a kit produced by M & T Systems in Huntington Beach California.

The body is made of perforated circuit board material. It has three R/C type servos driving the legs and a Basic Stamp for a brain. Antennae on the front sense obstacles and, after a few steps in reverse, send the creature off in another direction. The method used to obtain the alternating triangle gait is ingenious in its simplicity in that it can do with three servos what usually takes at least three per leg.

Don Colbath, who built this kit reports, “I was not totally happy with the construction methods and materials used and decided to build my own body and legs to attach to the existing servos and brain. This has not turned out to be as easy as I imagined and my “Hexwalker Mark II” is still undergoing refinements. My ultimate goal is to enlarge my version to about coffee table size then later to a size that a person could take a ride on. Stay tuned for future announcements.”

The background material for this page is derived from an archived page on the Internet Archive Wayback Machine. Some links may have been added, removed, or updated.

RoboFest 7 Film Festival

“Robot Invasion of Dobie Theatre”
September 14-15, 1996

The Robot Film Festival will feature three films with the common theme of robots. From the 50’s era of classic sci-fi come the first two entries both of which will be 16 mm prints. The Day The Earth Stood Still is a 1951 release and is in black and white. Starring Michael Rennie, Patricia Neal, Hugh Marlowe, Sam Jaffe, Billy Gray and directed by Robert Wise. Robert Wise directed dozens of pictures. An early example of his work was Born to Kill (1947). His later credits include The Andromeda Strain (1970) and Star Trek The Motion Picture (1979). “Gort, Klaatu Birada Nikto” is the famous line uttered in this film by Michael Rennie who plays Klaatu. (Or something very close to this line.) Gort is an extremely large and powerful robot with the ability to destroy the Earth. Michael Rennie is just along for the ride and to warn the citizens of Earth that they are not alone in the Universe.

The second sci-fi classic is Forbidden Planet a film in Eastman Color released in 1956. Directed by Fred M. Wilcox and starring Walter, Pidgeon, Anne Francis, Leslie Nielsen, Harry Harvey Jr., Earl Holliman, Morgan Jones, Jack Kelly , Roger McGee, and Peter Miller. Fred Wilcox’ other film credits include Lassie Come Home (1946) and I Passed For White (1960). Forbidden Planet introduced us to Robby the Robot probably the most recognized robot of the 50’s sci-fi movie classics. In this film Dr. Morbius (Pidgeon) and his daughter (Francis) insist on remaining on the relatively barren planet Altair IV. When a rescue mission arrives led by Commander Adams (Nielsen) Dr. Morbius warns them that their lives are in danger and that they should leave. They don’t listen and of course strange things begin to happen just like Dr. Morbius warned. Robby is pretty much just a household servant but he’s extremely loyal to his owners.

Both of these films will be shown on Saturday the 14th as matinees. The third film of the festival will be shown on Sunday afternoon. The Day The Earth Stood Still will be shown at 2:00 p.m and Forbidden Planet will be shown at 4:00 p.m.

Finally to cap off the weekend of the film festival and RoboFest 7 is perhaps the best film about robots ever made. At least that’s our opinion anyway. Blade Runner the 1982 release directed by Ridley Scott will be shown in the 35 mm “Director’s Cut” version. This version is Scott’s vision for what Blade Runner should have been and not what was officially released that year. If you’re a fan of the original movie and you haven’t seen this version on the big screen – you have to see it now. Ridley Scott whose direction credits have included some of the most powerful films of the past two decades brought his dark foreboding vision of Los Angeles in 2019 alive in this film. With an exceptionally good cast of Harrison Ford, Rutger Hauer, Sean Young , Edward James Olmos, M. Emmet Walsh, Daryl Hannah, William Sanderson, Brion James, Joe Turkel, and Joanna Cassidy, Blade Runner became a cult classic almost overnight. The story is based loosley [sic] on a novel by Philip K. Dick called “Do Andriods Dream of Electric Sheep?”. The film screenplay was written by Hampton Fancher and David Webb Peoples and the haunting music score was composed by Vangelis. Ridley Scott’s other movie credits include Alien (1979), Black Rain (1989) and Thelma & Louise.

The robots in this film are actually called replicants or artificially created humans. These replicants are quite sophisticated and appear very human like; so much so that it takes a special trained police person with special tools to identify them. This kind of police person is called a “Blade Runner”. The reason the Blade Runner force exists is because of a nasty little incident where replicants killed humans. That of course violates Asimov’s robot principals and is just not acceptable behavior in a robot, therefore all replicants are banned from earth. They are now only serving as slave labor in off world colonies.

Deckard (Ford) is a retired Blade Runner who is forced back into action when 5 replicants, hijack a ship back to Earth with questions about their incept dates. The replicants want answers to the same questions we all want. “How long do we have to live?” “How can we live longer?” Rutger Hauer, Joanna Cassidy, Daryl Hannah and Brion James play the replicants who find life so precious that they risk meeting their maker.

For real hardcore Blade Runner fans, may we suggest that you read K.W. Jeter’s excellent novelized sequel to the movie adaption. Blade Runner 2: The Edge of Human offers good insights to what might have happened after the movie. Another great book is Future Noir: The Making of Blade Runner by Paul M. Sammon with behind the scenes coverage of the film from day one.

Blade Runner will be shown at 5:30 on Sunday afternoon. All of the films will only have one showing during the festival. Admission prices are $3.50 for each film.

The background material for this page is derived from an archived page on the Internet Archive Wayback Machine. The text of the original has been preserved without editing for spelling or grammar. Some links may have been deleted whereas the others may have been updated.

RoboFest 7 Guest speakers

All of the discussions and panels for the guest speakers were hosted in the Speaker Room, Suite #130, in Dobie Mall on the Lower Level. Admission to the room was included with admission to the festival.

The schedule, like any, was subject to change; however, as of Friday 9/13/1996, this is what was confirmed for our line up.

Speaker / affiliationTopictime
Michael Benedikt
University of Texas,
School of Architecture
"The Freedom of Robots, and Ours"SUN 4:00 PM
Gary Chapman
Director, The 21st Century Project
"Robotics & Social Responsibility"SAT 4:00 PM
Jim Choate & Ben Combee
Austin Cypherpunks
"Panel Discussion
Cryptography Q & A"
SAT 11:30 AM
& SUN 2:30 PM
Spike Gillespie
Self-employed Writer
"How the Internet Changed My Life"SAT 2:00 PM
Dr. Benjamin Kuipers
University of Texas,
Computer Sciences
"Robot Exploration and Mapping Strategy"SAT 1:30 PM
Jon Lebkowsky
HotWired Forum & EFF-Austin
"Cyberpunks & Cyborganics"SUN 2:00 PM
Forrest Mims III
Self-employed Writer
"Electronics &
Technical Publications"
SAT 2:30 PM
Dr. Raymond J. Mooney
University of Texas,
Computer Sciences
Artificial Intelligence
"Computers That Learn to Understand English"
SAT 1:00 PM
Marcos Novak
University of Texas,
School of Architecture
"Dancing With The Virtual Dervish : Worlds in Progress"SUN 1:00 PM
Mark Pauline & Mike Dingle
Survival Research Laboratories
"Austin SRL Show in 1996 &
Video from the Phoenix Show in 1996"
SUN 3:00 PM
Steve Ryan
ProtoAndroid Attorney
"Legal Rights of Silicon Citizens"SAT 3:00 PM
David Smith
EFF-Austin
"Civil Liberties in Cyberspace"SAT 4:30 PM

The background material for this page is derived from an archived page on the Internet Archive Wayback Machine. Some links may have been added, removed, or updated.

Cartwheels Gizmo Box

Susan Alexander‘s Cartwheels Gizmo Box is a collection of characters mounted on rotating shafts. As they turn, they appear like circus acrobatic clowns performing for an audience.

Detail of Cartwheels Gizmo Box by Susan Alexander
Detail of Cartwheels Gizmo Box by Susan Alexander

Susan has also designed another performance piece called Nervous People which are characters on radio-controlled platforms that move around stage briefly and then “spaz out.”

The Cartwheels Gizmo Box and Nervous People were exhibited at RoboFest 7.

These pieces are part of a series of theatrical robots and performance art being designed for stage performance. Brooks Coleman is directing the robot theatre movement.

RoboFest 7 Press Release

URGENT – FOR IMMEDIATE RELEASE

July 4th, 1996

FOR FURTHER INFORMATION CONTACT :
The Robot Group
P.O. Box 164334
Austin, Texas 78716
512-288-9135
http://www.robotgroup.org
robo@robotgroup.org

We interrupt this regularly scheduled program to bring you an important announcement. Local city officials were notified today of an impending invasion. The group claiming responsibility for the warning is none other than The Robot Group. The group made up of artists and engineers has quietly gone about creating robotic art forms for over seven years without incident. The Robot Group a local hi-tech arts organization well known for its annual technology festival RoboFest and as yet has no confirmed connections to terrorist groups. There are few details about the invasion other than a specific time frame.

The invasion is scheduled to begin on September 14th and will target the University of Texas area. There are unsubstantiated rumors that the invading force will use robots to conquer the Dobie Mall tower. The Robot Group would not comment on this rumor fearing retribution from the “outside force”.

The Robot Group claims that they are not responsible for the immanent [sic] invasion of Austin and are simply acting as the conduit for this warning. The group claims they were contacted and infiltrated by “outside forces” earlier this month. “These outside forces are way outside of our normal sphere of influence” claim the group “but they are forces that we have no control over”. The group would not elaborate on how this “outside force” made its initial contact or how they have taken control of The Robot Group. They could only add that the warning about the upcoming invasion was all that they could safely communicate.

The threat to Austin citizens and property is minimal as long as we cooperate they say. “Our cooperation is really quite simple. The only thing the invaders require is attendance to this year’s RoboFest” the group went on to say. For some unspecified reason this controlling outside force is demanding that thousands of Austin citizens be in attendance for a special message on September 14th and 15th. What will occur if the demands of the invading force are not met remains to be seen. The Robot Group claims that the “outsiders” have the ability to watch us constantly and that they know our every move. As proof of their ability to watch us closely from the sky, the invaders have commandeered one of the group’s blimps and will use it to monitor the invasion from the airspace around the Dobie Mall Tower.

Robot Invasion of Austin

It’s coming : the time to bias your transistors and heat up your resistors and march to RoboFest 7. The Robot Group will be hosting their seventh annual technology festival on September 14th and 15th in the Dobie Mall. This year’s festival will be the entertainment event of the year for robots and robot lovers of all ages.

The Robot Group wants the City of Austin to be recognized as the “Robot Capital of the World” and this is the first step in gaining that well deserved recognition. Every year the group assembles and re-assembles the dozens of robotic creations, that have graced the pages of Newsweek, Mondo 2000 and Fringeware Review, specifically for RoboFest. This year the robots are going back to school. RoboFest 7 will be held in Dobie Mall a stone’s throw away from the University of Texas and will feature many guest speakers and exhibits from our prestigious University. In addition the group’s most recent creations will continue to amaze the Austin audience. Plans for this year’s RoboFest include an outdoor flying blimp, a hexapod walker, an army of cardboard robots, and RoboVision a new telepresence application using video feeds from the outdoor blimp.

This year’s festival also includes a tie-in film festival with a robotic theme. The Robot Group will be presenting three classic films in conjunction with RoboFest. The film festival will be showing at Dobie Theatre which is also located in Dobie Mall. The films are two 50’s era sci-fi classics “The Day the Earth Stood Still” and “Forbidden Planet” and the ‘82 mega cult classic “Blade Runner”. The “Blade Runner” print will be the 35 mm Director’s Cut of the film and it will close both the movie festival and RoboFest 7. Admission for the two day festival is $4.00 for adults and $2.00 for children. The films will each have an admission price of $3.50. One hour free parking is available in the Dobie Mall parking garage located on Whitis Street across from Dobie Mall.
Resistance is futile Austin will be invaded come September.
Join us or you’ll regret it.

Editor’s note : The text of the original press release has been preserved without editing for spelling or grammar. Some links have been deleted whereas the others have been updated.

Commander Salamander – May 1996 update

Editor’s note : This information is for historical purposes only. I have done what I can to update links found on this page (current as of April 2020) but 25 year-old e-mail addresses …. Really?

The following is a first draft of limited distribution, offered for comment. In further versions numerical indexing will be added and the document will be split into linked web pages. Thanks for your input.

+==oOo===+

High Performance Micro-Blimp (HPMB) Design Notes and Draft Narrative Specification

+==oOo===+

Original April, '96 post to LTA builders list -

Members of The Robot Group of Austin, Texas are building a video telepresence micro blimp capable of outdoor operation in a moderate breeze.

The aircraft will start with short "over the horizon" video/control communications range, later adding GPS and other micro avionics to the payload.

We have strong record in indoor radio control/robotic blimps and are seeking advisors and collaborators for the outdoor work.

The current spec. calls for an 18 foot blimp, with about four pounds of elective payload, capable of cruise at 12 knots or more.

One goal is to incorporate a balloonet/water ballast system to enable "high" altitude work. Another goal is to incorporate solar cells to extend missions. These are open projects to jump on.

Anyone who wants to mirror this project with their own construction and share technical resources is welcome. Contact david@robotgroup.org .

+==oOo===+

Honing the configuration -

Many folks' design/build experience, research, and flying experience went into the working concept for the HPMB. Several promising configurations and related design ideas were competitively assessed (by scoring matrix) for potential speed, maneuverability, reliability, and simplicity of construction.

A baseline for review was the classic airship design which is pendulum stable with nonvectored bilateral thrusters. Two other candidate designs incorporated vectored thrust; one was a typical twin vectored thrust design with rudder and elevator. Another was a futuristic neutrally balanced concept with tri-radially mounted vectored thrusters and no control surfaces.

The top dog, so far, is a Vee-Tailed Twin In-line Thruster design which scores high in every functional category. Its fast, agile, robust, and simple.

The dashing vee tail is an update on classical blimp tail design that reduces part count by a third, plus a surprise; a quality microblimp's vee-tail can be quickly adapted from off the shelf RC glider wings. Well known vee-tails include the Stealth Fighter and classic vee-tail Bonanza civil aircraft.

The In-line twin propulsion units, mounted just aft of center, provide as much balanced power as the blimp can carry. The advantages of this mounting approach, as popularized in the Lear Jet and DC-9, apply to blimps. In this case visualize a fat wingless vee tailed Lear Jet. This picture also resembles NASA's early lifting bodies leading to the space shuttle design. Twin electric propulsion offers vigorous yaw inputs allowing the vee-tail to be flattened in favor of pitch control. The degree of flattening is balanced against the urgent need for rudder steering in the case of a single propulsion unit failure.

+==oOo===+

Control Particulars -

Following common airship practice, this blimp will fly slightly heavy (~200-1000 grams) balanced and trimmed like a conventional (in this case semi-acrobatic) aircraft. This allows the aircraft to slowly glide down in the event of a propulsion loss, still controllable by the vee-tail. In the event of total control failure a heavy blimp comes down in due time, without sailing off to the next state.

Although the prop units are balance mounted in-line close to the 
envelope's (horizontal) center of drag (and mass), the tail's drag causes the design to pitch up a bit when power is applied and the tail surfaces are centered. Trimming the tail down levels flight and some lift is scavenged, as in conventional aircraft. To balance pitch up maneuvering advantage, the pitch down position of the vee tail lightly interacts with prop wash, due to placement of prop unit and vee-tail.

To promote easy flying and allow emergency glide down, the design has a small amount of pendulum stability, balanced against a capability to loop and roll. In slightly heavy flight the vee-tail provides further roll stability due to its dihedral. Pendulum stability, general balance, propulsion and control surface placement will all be field tuned in test phases.

Loss of any one, two, or even three of the control surfaces or propulsion units results in proportional rather than total loss of control. A single tail foil allows feeble steering in glide mode and a single motor allows a curly cue course by timed throttle application.

The flattened vee-tail imposes a coordinated roll/pitch turn technique much like the rudderless elevon design of the Flying Sphere prototype. Differential control of the propulsion units allows aggressive yaw turns. Modern RC gear allows for mixing and tuning standard pilot inputs to make unusual configurations intuitive to fly. A note on RC glider wing reuse for vee-tails- ...existing tab ailerons suffice for control at high speeds, but for close slow maneuvering rotating the entire wing is more effective. Ailerons can be frozen in place, used as trim tabs, or mechanically slaved to overall wing rotation to reduce stall.

+==oOo===+

Communications Architecture -

The big issue here is whether or how to multiplex various high and low bandwidth data streams.

Some assumptions can be made -

-Use of RC control frequencies and protocols
-High Bandwidth Video/audio and sensor telemetry.
-Emergency Locator Beacon - a high intensity pulse useful for orienting narrow angle antennas and locating the blimp in case of a total mission failure.
-Antenna Garden - A combination of highly directional and omnidirectional switchable antennas is proposed.

===included comment from Mark C. Otto===

I have recently designed a telemetry system for use on my R/C airplanes that uses a 68HC11 and SuperCircuits ATV transmitter. The audio channel is driven by a modem chip off the HC11's serial port so I get full motion video and 1200 baud data on the audio. A modem on the audio output of the TV receiver feeds my HP palmtop with the data at RS232 levels and the palmtop stores it on flash disk. My only regret is that I didn't go with PC
 electronics for my transmitter - the lack of a sync pulse stretcher on the SuperCircuits transmitter prevents sufficient sync signal integrity to drive a VCR from the recovered video.

+==oOo===+

Avionics Suite -

GPS - Provides superior positioning info for "over the horizon" work. Can be integrated to GIS, etc.
Flux Gate Compass - Backs up GPS and provides pointing info if blimp is crabbing or yawing in place.
Two axis inclinometer - Provides attitude info in aerobatics.
Thermistor - temperature reading.

+==oOo===+

MicroVideo Components -

Current cam of choice is the PC-17 Color Microvideo Camera available thru Supercircuits. Its a 2.5 ounce, 450 line, 2"cube.

Supercircuits also offers a transmitter suitable for initial flights, the 915 MHz ATV-900 (is this the model that Otto says suffers from the lack of a sync pulse stretcher?).


+==oOo===+

Altitude Control -

As a rough goal, the design's lifting volume with proper altitude control gear should allow operation in excess of 3000 meters (stretched envelope if needed). 

Balloonet system - Keeps blimp envelope taut at lower altitudes and enables climbing without venting helium. Sub issues: a) maintaining a constant relative pressure in the envelope. A photo or micro switch tensiometer mounted on the envelope could sense flaccidity and trigger air pump. and b) selecting a lightweight air pump to pressurize the balloonet. In one approach a ram air inlet may assist a fan pump. In another scheme a small piston pump or motorized "campers air mattress" pump provides the pressure. c) Size of balloonet up to about a third of total gas volume.

Drop Ballast System - Allows blimp to lighten for maneuvering or to balance helium loss, rain/ice/payload pickup. Plain water entails freeze risk. Other options include powder or mealy media or antifreeze liquids.

Frost proofing - Low temperatures could affect electronics and embrittle materials.

+==oOo===+

Propulsion -

Two Graupner 400 motors with Olympus 2.3/1 reduction gears and between 8
and 12 inch props, size subject to tuning are being used. Such components are being specified with the help of electric airplane racing guru, George Parks and Wolf of American Angler and RC Hobby of Austin. A reduction gear and large prop operate more efficiently at low speeds and high altitudes than a small prop with no reduction gear.

Positioning - The small new human carrying Hornet blimp shares inline positioning of propulsion units.

Solar Power - 2-3 sq. meters of solar film or cells could generate nearly 100 watts of power for endurance missions. Amorphous solar films in on-hand catalogs are rather heavy for their power density. Crystalline cells are fragile, expensive, and laborious to install. Better solutions are sought.

===include message excerpt from David Beck===

Perhaps there is a way that the shape of the blimp could be adapted to
focus the sun on an array in the center of the blimp. That is, perhaps the
part facing up would be clear, and the lower part would be reflective. In the center of your tube, you could suspend an array at the focus point. This would keep the array weight down, yet still generate lots of power. 
Also it would protect the array, and with the money saved on buying lots of 
cells, you could buy a few more efficient cells. You'd generate a lot of heat at that point, so you don't want to collect too much sun, but on the
other hand, the heat generated could be used to generate additional lift - so maybe you'd want a series of tubes, and make a structure kind of like an 
inflatable mat.

===end included message===

Comment - The idea of a suspended solar array under a transparent envelope window may allow for optimal tilting to solar incidence independent of the airship's roll axis. The reflective trough idea is appealing as a means of minimizing cell count. Suspending a reflective sheet in the bag would result in a near optimal catenary shape. Unfortunately the lower refractive index of lifting gas means it can't be used as a focusing lens in a convex profile.

Batteries - The latest mainstream battery technology affordable by the project will be utilized, although Ni-cads are operationally acceptable for some missions.

+==oOo===+

Envelope and Hardpoints -

A big issue is using the Mylar gas bag as the primary envelope vs. as a liner for a fabric outer skin. At this point a naked Mylar bag with tape reinforcement will be used and later upgraded as it proves inadequate. This approach will save weight, cost, and complexity in trade off with durability.

Hardpoints are rigid foam structures supporting motors, tail foils, electronics, and batteries. Stress relieving tapered stringers radiate from the hard points and attach to "crow foot" reinforced anchor points on the envelope.

+==oOo===+

Vee-Tail Construction Note -

While slight deflections of small control surface areas suffice for cruising speed maneuvers, large areas and aggressive deflections are needed for good slow speed agility. A large area/deflection approach requires special care in designing large, strong, and light articulated mountings. An oversized elevon mounted on a tapered strake is the elected layout to make these trade-offs.


+==oOo===+

Rain Proofing -

Operation in wet weather adds weight and threatens electronics.

Electronics bays are to be modestly weather proofed similarly to autos using gravity gutters and gaskets while maintaining ease of access. Loops and rolls in rain are proscribed. Drop ballast should offset modest rain/snow/ice loads. Outer envelope material should be hydrophobic (like Scotch Guard), if not waterproof, without adding much weight from fabric treatment.

Electronics and other sensitive components are to be housed in insulated enclosures. Electronic waste heat may suffice to inhibit condensation. Silica packs could help. Ram air venting might be useful if the electronic bays are too well insulated for hot weather operation.

+==oOo===+

Test Flights / Mission Profiles -

Benchmarking - Speed, climb, lift, endurance, etc. would be established in early flights.
Cross Country - Following prevailing winds and conserving propulsion for course adjustment and landing.
High Altitude - Stripping all excess payload, the high altitude capability of the design will be tested.
Sample Pickup - Touch down on (calm) water to acquire samples for biological and chemical analysis.
Exploration in close environments - Urban and rural canyons, building interiors and other crowded locations put a premium on agility.
Station Keeping - Maintaining a constant position for as long as resources allow. Useful in comm relay work and observation. GPS automation a goal.
Robotic Operation - Testing of computer based autonomous control schemes.
Public Events - Ideas range from carrying a tiny video projector that displays thru the envelope, a la Bladerunner, to a "fire blimp" that tows pyrotechnics displays.
Ultimate missions - a) Search and rescue b) Hostile environments such as volcanoes and storms c) New RC Solar Challenger Blimp race (in parallel with Solar Challenger car race in Australia) d) New records for flight in the RP/A-LTA class d) Teletourism in farflung lands

+==oOo===+

E-mail list for this project (don't spam this list unless post is of
high interest to *both* LTA and Robotics folks) -

(Mark C. Otto) mco@hprtws13.ptp.hp.com,
(Martin J. Maxwell) maxwell@goodnet.com,
robot-group@cs.utexas.edu,
(John Piri) jpiri@ridgecrest.ca.us,
(Prof. John Canny) jfc@CS.Berkeley.edu,
(Reuben J. Hoggett) RHoggett@vitgcprm.telecom.com.au,
(Capt. David Guinn) QUINTI@aol.com,
(David Santos) david@robotgroup.org,
(Dave Beck) dbeck@execpc.com

+==oOo===+

Variants -

The basic design can be varied to achieve top performance in specialized missions.

Speed and endurance missions would benefit from a stretched envelope offering extra lift for bigger motors and/or more batteries.

Absolute speed records will require gas engines.

Indoor acrobatic models should have shorter fatter gas bags and bigger control surfaces for turning ease.

A stripped down low cost version would be popular even without all the fancy high-altitude all-weather solar-boosted fully-instrumented features.

+==oOo===+

Autonomous Flight -

Several approaches are of interest. One is to integrate GPS/GIS based cross country navigation by an agent such as AirSoar. Another tack is to do local exploration based on interpretation of proximity sensor data. A third approach is complex mission level behavior as in Orca, the top level intelligence in the MSEL EAVE architecture. (See URLs section for links to above)

Ultimate integration of the various schemes would allow varied missions with intelligent response to dynamic local changes within an absolute navigation framework.

+==oOo===+

Rapid Response -

For some applications, such as search and rescue, a rapid response blimp system is required. This aspect may long remain at the concept phase, but has interesting challenges. Obviously an inflated blimp taking up a lot of space and constantly losing helium is not good in a low usage rapid response mission unless instant operation is needed. A better solution is a suitcase sized package that stays charged and self-inflates and takes off automatically. Waiting for a volcanic eruption is a cool application idea.

+==oOo===+

Legal and Safety Issues -

A comprehensive set of safety features and operational policies shall govern the use of the airship.

Prop hazard - Props will be orange tipped and have a piano wire hoop to guard against contact with people and objects. Prop operation will only occur away from close proximity of third parties.

Plummeting hazard - All components of the blimp will be tied together. All high density components will be mounted on low density structures as shielding. Total loss of lift should result in a drop speed of no more than 30 mph.

Fire Hazard - No combustible fuels or ignition sources will be carried in normal use.

Navigation hazard - About half our team members are pilots and understand the regulations and issues involved. (most senior pilot/consultant is a 747 captain for United, others are already flying HTA RPV's under govt. contract)

Great care will be taken to follow applicable aviation law and best safety practice with this project.

+==oOo===+

Related URLs -

A preliminary page exists for this project, but contains nothing not
found in this document. Stay tuned for a hot concept rendering and
configuration sketches, plus updated specification info -
http://www.polycosmos.org/ROBOTGRP/ROBOBLMP/CMDRSALM.HTM
(archived at the Internet Archive)

Dr. John Canny's net blimps (Space Browsers) telefloat beyond the
surly bonds of earth -
http://vive.cs.berkeley.edu/blimp/
(archived at the Internet Archive)

Supercircuits is the project's micro video supplier. If you haven't
seen their catalog you'll flip out when you do -
http://www.scx.com/supercircuits.html

West Coast Blimps is worth checking out for envelope materials and
other products -
http://www1.ridgecrest.ca.us/~jpiri/
(archived at the Internet Archive)

The UK Hornet Blimp is an advanced design that shares some
performance features with Capt. Salamander -
http://www.fast-lanes.com/Hybrid/Advanced_Hybrid_Air.html
(dead link, not archived at the Internet Archive)

Air-Soar is a good example of an autonomous flight agent -
http://krusty.eecs.umich.edu/air-soar/
(archived at the Internet Archive)

Underwater robots share many control and mission characteristics with
airships -
http://pha.cs.unh.edu/MSEL/architecture.html
(dead link, not archived at the Internet Archive)

+==oOo===+

Work to date -

-Project documentation undertaken in draft.
-Blimp envelope builder's instructions written for web.
-Provision of Mylar and assistance to Dr. Canny, Berkeley CS, and Brooks Coleman.
-Propulsion consultation with electric airplane guru, George Parks.
-Eight microblimp related pages created.
-Construction begun on Propulsion Nacelles.
-Research progress on various fronts; physical configuration, video/control communications, balloonet/water ballast altitude control, propulsion, avionics, etc..
-Mark IV envelope reallocated to helilifter blimp. HPMB to have new
envelope.

The Captain Salamander name derives from a local (Austin,Texas) biologist's (Jim Collett) concept for a Barton Creek water quality inspection blimp.

Generic Intellectual Property Statement - Free noncommercial personal and educational use encouraged. dave@faustex.com

Want to build a micro-blimp? Instructions on fabricating envelopes are available.

Comment to webmaster@faustex.com

Hot-Tool Fashion Show

Editor’s note : The information on this page was gleaned from Dave Santos’ PolyCosmos site (polycosmos.org) via the Wayback Machine. The information from several pages has been concatenated into a single page.

Hot-Tool Premiered on October 27, 1995 in Bastrop, Texas. Austin’s intelligentsia was present. Brooks Coleman is the creator of Hot-Tool.

Subj : EVENT - Brooks Coleman, Hot-Tool Fashion Show 2.0
Date : 96-05-04 03:13:49 EDT
From : email@fringeware.com (FringeWare Daily)
Reply-to : email@fringeware.com (FringeWare)
Sent from: email@fringeware.com (FringeWare)

*** TEXAS NEWS FLASH  *** TEXAS NEWS FLASH  *** TEXAS NEWS FLASH ***

THE SECOND GATHERING in a series of ongoing HOT-TOOL FASHION CREW fashion shows will go online tomorrow, Sat 4 May 96, in Bastrop TX at Brooks Coleman's treehouse -- one show at 10p and another starting sometime after 2a, after the second shift of models arrive.

If you know Brooks and you know how to get to his house, and you agree to mind your P's and Q's while a flurry of gorgeous young women bare  all on stage, probably for their first time, in front of howling crowds of Coors-drinkin' rednecks, metropolitan art weenies, industrial geeks, and world-renowned robotics experts, while wearing precious little more than a few scraps of metal and plastic, then you're invited.

Brooks Coleman is a charter member of Austin's The Robot Group, and one of the organisers of the annual RoboFest event held here.

HOT-TOOL FASHION CREW features custom designed and fitted "art bras" and "art skirts" made from recycled industrial materials ... if you've ever seen Brooks' robotic sculptures or p'haps ever seen a video of a Survival Research Labs show, you get the point ....

Currently, art bras / skirts sell within the range of $50-$100 each. The first three patrons to drop by the FringeWare store at 51st & Duval in Austin, may request an art bra/skirt coupon for $10-off, with purchase.

The previous show, on Halloween 95, proved to be one of the premier art gatherings in this part of the North American continent -- for reviews and details, please browse some of the URLs listed below, in addition to Brooks' press coverage in Mondo 2000, bOING-bOING, Discovery Channel, etc.

Attendees at this night-long fete are requested to bring flashlights and coloured lightbulbs if possible to help illuminate the newly built  woodland trails. Hiking will be included along with the usual Wall of Gizmos and techno-industrial-redneck runway glam fanfare.

Located between Austin and Houston, the party will be out in the glamorous pine hill country of Bastrop County. Bring plenty of water, in case y'all get lost on the way out there.
 
Hot-Tool Fashion Crew Home Page ->
     http://www.polycosmos.org/BUSINESS/HOTTOOL/HOTTOOL.HTM
HOT-TOOL review in Don Webb's "Letters to the Fringe" ->
     http://www.fringeware.com/tazmedia/dwebb/letter16.html
     http://www.fringeware.com/tazmedia/dwebb/letter17.html
The FWR article about Brooks, by Allen Varney & PXN ->
     http://www.fringeware.com/FWR/fwr03-31.html
 
Brooks Coleman
Hot-Tool Fashion Crew
Lot 9, Section 3
PO Box 1403
Bastrop TX 78602
+1 512 303 3310
elmice@eden.com